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The Noseriders
By Jeff Reid 
Growing up on the Carolina coast in the early sixties, my first
recollection of surf music was the song “Wipe Out” by The Safaris.
Released in 1963, the song, characterized by its energetic drum
solo, the intro of a cracking sound (imitating a breaking surf
board), and a maniacal laugh followed by the only two words of the
song, “wipe out” became a surfing anthem. Soon I and all my friends
were caught up in surf music and the lifestyle. Surfing, believe it
or not, became the only sport with its own particular genre of
music.
But by May of 1963, instrumental surf music, identified by twangy
guitars, staccato riffs and lots and lots of reverb, was heading for
a collision course with the Beatles and the British Invasion. While
many people think surf music came and went, it is important to note
that the genre continues to this day and can be heard in its present
form by the local ho daddies, the Noseriders.
The band began several years ago with Seth Moody, Zach
Hanner, Paul Currier, Brian Weeks and Jonathan
Bass. “I’ve always loved surf rock,” admits Moody. “It’s fun to
play and easy to write. So I recorded a few songs, called a few
friends and that’s where it began!” The songs were all original and
the titles (and therefore, vocals) were all terms from the
“Surfinary” reference book of surfing terms. But Jonathan moved to
Boone after a year or so and the band broke up. Then around two
years ago drummer Dean Grey and guitarist Brian Drake
joined up with Moody and Hanner and the Noseriders reemerged with a
much louder and punkier sound than before.
But Hanner was also very familiar with the surf genre, being a
surfer for well over twenty years and a connoisseur of its music. “I
had a great CD box set called Cowabunga that consisted of surf music
from 1963 through the 90’s,” he states. But the Noserider music is
more than the classic twangy guitar and syncopated drum beat. “We
mix it up,” states Moody. “It’s the Ventures mixed with new
wave/punk ala Devo, Dead Kennedys, usually fast paced
and upbeat and packed with lots of energy.”
Describing their sound as being “mostly” instrumental, the
Noseriders play great dance music. No words to get in the way!
Moody explains, “Most of the songs have a shout out repeat of the
title. But the melodies are 99% instrumental.” For instance, “Fish
Taco”, a song off their debut CD Chubasco, has a snappy little bass
line that leads in to Seth and Hanner yelling, “Fish Taco”! Moody
continues, “If the PA sucks, it doesn’t matter and you don’t have to
remember lyrics.”
To some surf music purists, vocals and vocal harmonies are not a
part of real surf music. To them, the British Invasion in the mid
60’s killed the music and the world was left with the Beach Boys as
the surf music ambassadors. But Moody and Hanner disagree. “There
are no absolutes in music. We needed the British Invasion. There are
only ‘X’ amount of ways to play 50’s style rock, including surf,” he
explains. Hanner concurs, “I’ve never been the type of person to try
and place restrictions on what a genre can or can’t have as elements
of its style. I like it when people bend the rules…..usually, that
is. What’s good is good and what’s not is not.”
Like their sister band, Da Howlies, all the members of the
Noseriders surf and since a lot of the early pioneers of surf music
were not surfers, I asked what does the personal surfing experience
bring to their music? “Myself? Probably not as much as the other
guys,” confesses Moody. “I listened to surf music long before I
surfed. The rest of the band has been surfing since puberty. I
guess the tongue in cheek aspect comes from the fact I’m no ripper
and I won’t stomp around on stage like I’m a big boss bad ass.”
Despite the complexities of the world that swayed mass appeal from
the beaches and the surf lifestyle in the 1960’s, surf music is as
pertinent as it was then. By capturing the energy, simplicity and
rawness of the setting that inspired it, the Noseriders are
committed to maintaining the sound and feeling of the surfing life.
“Surfing is the greatest thing on earth,” states Hanner. “The way
you feel when you’re gliding down a wall of water has a lot to do
with your level of inner joy. It’s just like the way you sound
better if you’re really having a good time playing music.”
And the Noseriders have a good time playing their music and it
shows.
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